
Sponsored Studio: Gibson Guitar + EMG Hardware
Duration: 16 Weeks
As part of Auburn University's SIGD (School of Industrial and Graphic Design) annual Gibson-sponsored studio/show, FretHaus, my class and I were tasked with not only designing - but actually building - an electric guitar whose theme relates not only to our own musical identity but to a greater relatable market.


As a frequent attendee of the local DIY underground house shows, I asked myself:
What design aesthetic best represents the punk counter-culture music scene?
The answer?
FerroFluid



A ferrofluid is a liquid which becomes highly magnetized in the presence of a magnetic field. The distinctive ‘spikey’ shape of a magnetized ferrofluid is caused by the need to find the most stable shape in order to minimize the total energy of the system, an effect known as the normal-field instability.

After months of programming, wiring, and testing...
I was able to tap into the guitar's electronics to create an electromagnetically-controlled system able to pulse a window of FerroFluid within a viewing window.




Through multiple form and feature explorations, I was able to use the geometry of existing guitar bodies to find a shape that best reflects the theme and vision.
Given only two weeks to design, the final concept needed to be rapidly ideated to allow enough time for full-on fabrication.


Proportions and form were drawn on top of the classic Gibson SG body, where the removable tips allow the guitar to fit inside a standard carrying case

From CAD to CNC, the split-body design was translated from the computer to a tangible prototype.

By thoughtfully routing out numerous internal channels, concealing and installing wiring/components became seamless

Gibson Guitars was proud to provide us with several different neck stock pieces directly off their assembly line from their Nashville, TN factory
The most essential part of the guitar...
With so many precise and mathematical factors affecting the final sound quality of the instrument, extreme attention to detail - down to 1/100th of an inch - was required to adapt the Mahoghany bent neck to my design intent.
In line with the aggressive theme, I laser-etched custom fingerboard inlays before filling the Ebony material with eye-catching red epoxy resin.


Removable and customizable tip inserts were implemented using a durable FormLabs SLA resin material, then painted using a metallic automotive paint/primer.


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As the most popular consumer color pick, the instrument was meticulously coated with black lacquer, clear polycoat, and given a hand-painted red pinstripe on the neck.


A clamshell design secures the neck joint on either side with pockets to fit the removable tip inserts.








Selected Works
FretHaus Guitar DesignSenior Thesis
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TiltMaster BlenderInside-Out: Kitchen Appliance Redesign
Dauphin Island Sea Lab: Research Facility DesignArchitectural Design
Yotrio Corp. Internship OverviewCorporate Design